
Then I read this response by a street musician from New York and went ah ha. It is complicated when you take great art - be it aural or visual - and put it in a different context. Great street musicians are great at playing for their audience. They also have to be great musicians but they need to have the skills to interact with their environment. As someone said of Josh Bell, if he was a good busker he would have chosen the correct time to play when people weren't rushing to get to work and by doing so would be respecting his audience.
I also liked hearing that busking made Josh nervous. Playing for people that had not already bought a ticket to hear him meant he had to validate himself with his playing and that made him nervous. Maybe its just me but playing to the expectations of people who have paid a lot to hear me would freak me out way more.
By the way Josh played the Mendelssohn violin concerto this past Fall with the Louisiana Philharmonic Orchestra at Tulane. He played for a tiny fraction of his regular fee as a way to give back to this city and its orchestra.
2 comments:
http://livebythefoma.blogspot.com/2007/04/ring-my-bell.html
Just found the above post - Naked Cowboy does better than Josh!!
That busking thing does make sense.
Just as NOLA is blessed with a plethora of talented trumpeters, I'd rather hear Kermit, who is probably not as much a virtuoso as Irvin, Wynton, Shorty, or Terence, because Kermit can play the crowd.
Go figure.
That may also explain why Evelyn Glennie outdraws Leigh Howard Stevens.
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